Your shortlist.
Everything you picked from the catalogue, in one place, playable. Add a note against a track so the person you send this to knows what you heard in it.
One desk, both licences.
Both licences on everything here come from Outwrite. The composition and the recording clear in one negotiation and one paper trail, rather than two companies and a chase for the half you cannot find.
Where that is not true we say so on the track itself, not in week three. A song marked on this page as sitting with a third party is the exception, and it is the only kind there is.
Send the shortlist with your media, territory, term and a budget band, and what comes back is a per-track position rather than a maybe.
Nothing here fits the cut?
The writers and producers are in house, so a brief the catalogue cannot answer becomes a custom song or a re-record.