Music and sonic identity for brands.
Original songs, scores, jingles and sonic branding for advertising. Written, produced and mixed in house, with every right cleared for your media plan before delivery.
Brief to final mix.
Original songs built around the film and the line, with roster and featured artists on the record when the brief calls for a voice people know.
Composition, arrangement and sound design cut to picture, from a 15 second edit to a full brand film.
Mnemonics, station jingles and full sonic identity systems designed for recall, owned outright by the brand. How the system is built.
An existing record cleared for your film in one window, master and publishing together.
A growing wall of brand films.
The full list, with every film linked, lives on the discography under Ads & Branded Content.
Three steps to air.
The film or storyboard, the brand world, the deadline and the media plan. We come back with questions the same day.
Two to three distinct musical directions against the cut, fast enough to sit inside your review cycle.
Final mixes in every edit length, stems on request, with rights cleared for your territories and media up front.
Original music, licensed music, or both.
Campaigns reach for music in two ways. License a record people already love, or build something the brand owns. Both are right in different weeks, and because we do both from the same desk, the recommendation stays honest: if the cut needs a known song, we clear it; if it needs an asset, we write it.
An original gives the brand a piece of music no competitor can use, with rights scoped for the whole media plan instead of a licence clock ticking on someone else's catalogue. It can be cut down, versioned, translated and carried into the next campaign, which is how a one-film track becomes a brand's sound.
A licensed record brings borrowed familiarity and speed, and sometimes that is exactly the job. A jingle or mnemonic is a third lane altogether: a few seconds of melody engineered for recall, owned outright, repeated until it does the remembering for you. The brief decides the lane. We will tell you which one it is.
One sound, every touchpoint.
A mnemonic on its own is a jingle. A sonic identity is a system: one musical DNA, written once and adapted for every place the brand is heard, from a 60 second film to a two second notification. We build the whole system in house, and the brand owns it outright.
Discovery on the brand's personality, audiences and musical territory, then the master theme every other asset descends from. Where a brand already owns a song with equity, we audit it and evolve it rather than start over.
Short and long signatures, two to seven seconds, engineered for recall, with logo and screen animation sounds cut to the visual identity so the brand sounds like it looks.
Advertising and film beds in every edit length, app notification sounds, IVR and hold music, a brand anthem, retail and in-store audio, event and activation sound, caller tunes, and idents for social and podcasts. Different expressions, one DNA.
Final masters in every format, stems, and a usage guidelines document so the identity stays consistent long after delivery. Rights bought out for the brand's territories and media, inside the one quote.
Where the sound lives.
Rights, priced into the quote.
The quote you approve is the deal you get. Every number carries the rights inside it, agreed against your media plan before a note is written, which is why the invoice does not grow after the film performs.
Whether the brand owns the music outright or licenses it for a defined use, decided in the quote, not discovered at delivery.
The scope matches your media plan, from a digital-only flight to worldwide broadcast, so there is no surprise invoice when the film performs.
Roster and featured artists contracted for the campaign's actual usage, so the voice selling the film is as cleared as the music under it.
Writing, production, artist clearances and licensing under one roof, so the agency has one contract and one phone number.